BUBBLE MACHINE
if the blue bowl of the trees
the interior anonymity of the soil
by that solid anatomy of waves air
parcels turn blue mappage hold their tungs
we take a picnic under the blue eaves
carve inside the arteries our initialisms
of the bowl and pare withstood
gaunt brachioles
take green air small
sassing the inborn
skyflick the interior
bounds disunderstood to be
parietal – the blue separts
juncture where you peat your hands
to ply the tree for hue
conseverance meals
sky eats synchrony in green dirt
with your festooned anatomy
instands the long stripe layers
wearing temporal sheen
of the sky and blue trees – some clothing
being handed now as protectorate for
invisibles flick points of planet
where the sounds pulse blue parts
lodge in the zing of
stone pliant
play ops
where were where
RECURRENT
walls of walnut gloss
sheer baker warm on time
the warm walls sweet as wood
suck wooden hearts
aglow monitor simply parse on lean
warm baker table the anatomy
tucked around the place gleam
mirror hour on spice
calm air fish fly round the
table their dirigible barrier booms
large sound cupped in
very small area so tiny tympans only
so to hear that
warm sound booms such mini
hearage put forward the boom’s
wet glass monitor
held in the barriers of the room
sweet candy wood explaining
filter time’s sound glimmer
air fish bodies glowing sense
BERTHDAY
They can deal with unconceal
find proach and feel that
warmth of place – it means
non-human posse ribald
does not seek nor to be
touched – the trees out message
and the sky is green
the sky is blue sends message
– if by understand
built trees topple sky
call their ceiling
rein to another topfest bare placette
if by fest means pass
tether condiments to seal
official linger in the blue
bowl – when you travel, the sky
LAUFZEIT
Just have tow to move
a limb not van
squished
as a game at all not of the vite
sledge punt
heuristic birdcalls
sculpting at the light
belay const
fine overframe arches
in which the bones ob
obdurate
picking and pick dividuals from
among the cluts cutes cut clip
emanate re lease as steam from as the boil
that’s on the narrow deck
swathed in blankts row
field dusty with dogs
being revved heads whose
prehension sets entire
difference rue
be hind aglass rain to sally
on the feet-devouring
pavement a gain
const to the beat
to the origami of windows
paid in smiles with teeth
happy to have missed
that note serene
whistles banking you gain round
sandal corners
lucid cinders crawl up late
bask sense
some slats haunt
uppity timbres taunt back
ratchet the communal gag
pace on plages
some lease a basket some
want dough there’s thers
lunge per nicely
coffee cream and biscuit brains
perambulate some sticky
door knob opens out to
heart-haunt
window gout
lace plates a ranging
sup trice mood
rings basinets of tuck
whilst brakes in air move
show them
summons can evolve
emotive chemicals so
fleeces interprat
as tribute remit
oddwise just a
here in that place
when the word writes I
it means swat’s conjure
on that optunity
this one I steeped
in to prever ope weak
broke non
dominal supposes of good
wit other source elation
so a driven person loves the drive
the car is beautiful
place not solely vernal
as soon its unexamined
residue functs
rob tential gently as
in the many arenas it re-sides
throb with their unnaming
nor whoosh to be named
in that linguanimal wit might
this beguile days ago with ex-
planishing’s pant for oxygen
way in the montaine
were there-behavior pret
form air wove spectate
mass with lightly
feel between the hovers
On Surrealism and Poetry
Enuncer real
Language, an ambient being crucial to the oxygen of our existence, has rights to manifest every way it can. It creates zones of material and ideational touch with the non-lingual. As language grows in every direction possible, and our lingual organs and capacities likewise, it performs expanding acts of representation – which chimes with how much life has on offer to be vocalized heard felt seen & writ.
The surreal is an optative case surging with any lingual according to how it’s engaged & perceived. If the poetry I write in concert with language’s relational forces wishes to or can be described as surreal is anything certainly not a problem. Recombinatory zoetropes co-inveigle the en/un/sur/real: enreal indices, unreal imaginatives, and surreal pleura for motile assemblings. Among other things, poetry breathes this enuncer real.
